A paper duvet / faces of bread / a knight on a branch / porcelain snowballs / a fan of stitched leaves / Africa in ice / a dangerous animal in a courtyard / clay loaves of bread / braille on a bar of soap / a polar bear suit in South Africa …
Sabine Käppler is a professional transposer: she transposes. Due to her doing, things continue to end up elsewhere, leaving their own biotopes.
This may entail that something is made of an entirely different material than usual. The molded face, for instance—not made of clay, but of bread—is maneuvered from the domain of sculpture into the kitchen; snowballs that, due to their porcelain constitution, move from the scene of wintry fun into the china cabinet; or a fan that appears to have been stitched together from the leaves it is actually meant to blow away.
Some of these transpositions are quite literal, however. The entire African continent has, on a map of the world, borrowed all of Greenland’s ice. An imaginary animal, sitting in a cage in the courtyard of a gallery, has left its—in itself weirdly spread out—territory. A polar bear emerges hitchhiking in South Africa.
By dragging everything off, and by changing the constitution of things, Käppler allows us newly to experience the things she takes in hand.
“The best one can do, is therefore to look at things anew, to go for a walk, or to stretch oneself out in the grass or under the trees, and start all over again…,” Francis Ponge once said. This became Sabine Käppler’s motto, and has it turned out to work.Text: Maarten de Reus
- 1998-now Working & Living in Rotterdam, The Netherlands
- 1996-98 Sandberg Instituut Master of Fine Arts – Amsterdam – The Netherlands.
- 1993-96 Gerrit Rietveld Academy, Amsterdam – The Netherlands.
- 1988-92 Fachhochschule für Gestaltung, Schwäbisch Gmünd – Germany.
- 1966 Born in Stuttgart – Germany.